
ARTIST STATEMENT
The Skeleton of Practice
If my paintings could verbalise my practice they would utter:
A couple of gestures.
Questions. Spectrum. Formality.
Fluidity and speed humps.
Induced and fostered mark making, Physical. Air. Water. Light. Gravity. Voice.
Repeated gestures as evidence
Ajanta murals and windows
Sarees and satellites
Surrealist’s hysteria
Fluke and fix
Synergy of Dancers on Stage.
Contradiction and camouflage.
Fragmented landscapes.
Longhand script.
A rainbow with new colours.
A square container of frenzy.
4 tins of responsiveness
Blurring timelines
Recapitulation of surroundings
Non conclusive imagery
Picture and object?
Undecipharible motifs
Heavily dependent colours imploding to be independent.
Wind chimes or windmills?
A play, a leela, an illusion.
Atonal Ragas
Syncopated madness
Dissonant comedy and loss
Sprouting into existence
The role of sensitivity and sensibility
Fragmented visions of ochre
Bearings of a garden
Not one alike. Similar but not one alike
Cousins not brothers
Like Thump prints